Movies In Theaters This Friday, July 29, 2011: COWBOYS & ALIENS, CRAZY, STUPID, LOVE, and More
Wondering what movies are coming out to theaters this Friday, July 29, 2011? This weekend there are lots to be excited about. In wide release we get action film Cowboys & Aliens, romantic comedy Crazy, Stupid, Love and for kids The Smurfs.
But that’s not all there is plenty to look forward to in limited release as well. I would highly recommend Attack the Block, The Devil’s Double and The Guard, all great films.
You can find out what else is coming out in the list below. Have a great weekend!
Cowboys & Aliens
Synopsis: 1873. Arizona Territory. A stranger (Craig) with no memory of his past stumbles into the hard desert town of Absolution. The only hint to his history is a mysterious shackle that encircles one wrist. What he discovers is that the people of Absolution don’t welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron–fisted Colonel Dolarhyde (Ford). It’s a town that lives in fear.
But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known.
Now, the stranger they rejected is their only hope for salvation. As this gunslinger slowly starts to remember who he is and where he’s been, he realizes he holds a secret that could give the town a fighting chance against the alien force. With the help of the elusive traveler Ella (Olivia Wilde), he pulls together a posse comprised of former opponents–townsfolk, Dolarhyde and his boys, outlaws and Apache warriors–all in danger of annihilation. United against a common enemy, they will prepare for an epic showdown for survival.
Crazy, Stupid, Love
Synopsis: At fortysomething, straight-laced Cal Weaver (Steve Carell) is living the dream—good job, nice house, great kids and marriage to his high school sweetheart. But when Cal learns that his wife, Emily (Julianne Moore), has cheated on him and wants a divorce, his “perfect” life quickly unravels. Worse, in today’s single world, Cal, who hasn’t dated in decades, stands out as the epitome of un-smooth. Now spending his free evenings sulking alone at a local bar, the hapless Cal is taken on as wingman and protégé to handsome, thirtysomething player Jacob Palmer (Ryan Gosling). In an effort to help Cal get over his wife and start living his life, Jacob opens Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style that can’t be found at Supercuts or The Gap. Cal and Emily aren’t the only ones looking for love in what might be all the wrong places: Cal’s 13-year-old son, Robbie, is crazy about his 17-year-old babysitter, Jessica, who harbors a crush on Cal. And despite Cal’s makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading him back to where he began.
Synopsis: When the evil wizard Gargamel chases the tiny blue Smurfs out of their village, they tumble from their magical world and into ours – in fact, smack dab in the middle of Central Park. Just three apples high and stuck in the Big Apple, the Smurfs must find a way to get back to their village before Gargamel tracks them down.
Attack the Block
Synopsis: From the producers of Shaun of the Dead and Hot Fuzz, ATTACK THE BLOCK follows a gang of tough inner-city kids who try to defend their turf against an invasion of savage alien creatures, turning a South London apartment complex into an extraterrestrial warzone.
The Devil’s Double
Synopsis: Based on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s THE DEVIL’S DOUBLE takes a white-knuckle ride deep into the lawless playground of excess and violence known as Bagdad, 1987. Summoned from the frontline to Saddam Hussein’s palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the “royal family” when he’s ordered to become the ‘fiday’ – or body double – to Saddam’s son, the notorious “Black Prince” Uday Hussein (also Dominic Cooper), a reckless, sadistic party-boy with a rabid hunger for sex and brutality. With his and his family’s lives at stake, Latif must surrender his former self forever as he learns to walk, talk and act like Uday. But nothing could have prepared him for the horror of the Black Prince’s psychotic, drug-addled life of fast cars, easy women and impulsive violence. With one wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sangier), Uday’s seductive mistress who’s haunted by her own secrets. But as war looms with Kuwait and Uday’s depraved gangster regime threatens to destroy them all, Latif realizes that escape from the devil’s den will only come at the highest possible cost.
Synopsis: The Future tells the story of a thirty-something couple who, on deciding to adopt a stray cat, change their perspective on life, literally altering the course of time and testing their faith in each other and themselves.
Sophie and Jason are strange the way all couples are strange when they’re alone. They live in a small LA apartment, have jobs they hate, and in one month they’ll adopt a stray cat named Paw Paw. Like a newborn baby, he’ll need around-the-clock care — he may die in six months, or it may take five years. Despite their good intentions, Sophie and Jason are terrified of their looming loss of freedom. So with just one month left, they quit their jobs, and the Internet, to pursue their dreams — Sophie wants to create a dance, Jason wants simply to be guided by fate. But as the month slips away, Sophie becomes increasingly, humiliatingly paralyzed. In a moment of desperation, she calls a stranger, Marshall — a square, fifty-year-old man who lives in the Valley. In his suburban world she doesn’t have to be herself; as long as she stays there, she’ll never have to try (and fail) again. Living in two terrifyingly vacant and different realities, Sophie and Jason must reunite with time, space and their own souls in order to come home.
Synopsis: Neighbors Spencer (Scott Speedman) and Louise (Emily Hampshire) have bonded over their fascination with a recent string of murders terrorizing their community. When a new tenant named Victor (Jay Baruchel) arrives in the building, all three quickly hit it off. But as they soon discover, each of them has their own dark secret. As the violence outside mounts, the city retreats indoors for safety. But the more time these three spend together in their apartment building, the clearer it becomes that what they once thought of as a safe haven is as dangerous as any outside terrors they could imagine. Smart dialogue, strong performances and jarring thrills give this film all the elements of a great mystery.
Synopsis: A small-town cop in Ireland has a confrontational personality, a subversive sense of humor, a fondness for prostitutes and absolutely no interest whatsoever in the international drug-smuggling ring that has brought a straight-laced FBI agent to his door. However, a surreal chain of events pulls him into the action.
The Myth of the American Sleepover
Synopsis: From first-time writer/director David Robert Mitchell comes THE MYTH OF THE AMERICAN SLEEPOVER, a poignant and tender coming-of-age drama. This story follows four young people on the last night of summer – their final night of freedom before the new school year starts. The teenagers cross paths as they explore the suburban wonderland they inhabit in search of love and adventure – chasing first kisses, elusive crushes, popularity and parties. While looking for the iconic teenage experience, they discover the quiet moments that will later become a part of their youth they look back on with nostalgia. Inspired by Mitchell’s experiences growing up in Michigan, THE MYTH OF THE AMERICAN SLEEPOVER is a beautifully rendered portrait of summertime adolescence and the search for human connections. The kids in Mitchell’s world may be lost, a little confused and full of angst, but ultimately the kids are alright in this life-affirming, truthful and fresh take on the teen genre.