Movies in Theaters This Friday, October 3, 2014: Gone Girl, Left Behind, Annabelle, and More
It’s unofficially that time – awards season!
David Fincher’s Gone Girl shepherds in the 2014 awards season in a big way this coming weekend. The hotly-anticipated film adaptation of Gillian Flynn’s novel (she also wrote the screenplay) stars Ben Affleck and Rosamund Pike (The World’s End). I’m usually pretty good about keeping the film adaptations separate from the source material, but I can whole-heartedly endorse the novel. It’s that good.
Going up against this juggernaut is the Left Behind reboot starring Nicolas Cage. Good luck with that one. Also, there’s the Conjuring spin-off Annabelle, but I really doubt anything will touch Gone Girl (even given its rating and target audience).
In limited theaters, I am most excited to catch up with Jason Reitman’s (Juno) Men, Women, and Children (which technically released on October 1st). If nothing else, this movie seems like a good piece of commentary on the Internet age.
The rest of the limited releases are A Good Marriage, Bang Bang, Bitter Honey, The Blue Room, The Decent One (which also released on October 1st), Drive Hard, The Good Lie, The Hero of Color City, Last Hijack, The Liberator, and The Supreme Price.
John Form has found the perfect gift for his expectant wife, Mia – a beautiful, rare vintage doll in a pure white wedding dress. But Mia’s delight with Annabelle doesn’t last long. On one horrific night, their home is invaded by members of a satanic cult, who violently attack the couple. Spilled blood and terror are not all they leave behind. The cultists have conjured an entity so malevolent that nothing they did will compare to the sinister conduit to the damned that is now… Annabelle
GONE GIRL – directed by David Fincher and based upon the global bestseller by Gillian Flynn – unearths the secrets at the heart of a modern marriage. On the occasion of his fifth wedding anniversary, Nick Dunne (Ben Affleck) reports that his beautiful wife, Amy (Rosamund Pike), has gone missing. Under pressure from the police and a growing media frenzy, Nick’s portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife?
Left Behind is an apocalyptic Action-Thriller movie starring Nicolas Cage based on the New York Times bestselling novel that brings biblical prophecy to life in modern times.
The most important event in the history of mankind is happening right now. In the blink of an eye, the biblical Rapture strikes the world. Millions of people disappear without a trace. All that remains are their clothes and belongings, and in an instant, terror and chaos spread around the world. The vanishings cause unmanned vehicles to crash and burn. Planes fall from the sky. Emergency forces everywhere are devastated. Gridlock, riots and looting overrun the cities. There is no one to help or provide answers. In a moment, the entire planet is plunged into darkness.
The Steele family is caught on the razor’s edge of that darkness. RAY STEELE, an airline pilot, struggles to calm, and ultimately to save the lives of the passengers that remain on his flight, as the world below loses its ability to help his plane, and any other to safety. Running out of fuel, his equipment failing, his crew escalating into panic, Ray must guide the plane with the help of GWN reporter, CAMERON “BUCK” WILLIAMS who takes over the role of co-pilot in the face of the crisis. For Buck Williams, being trapped at 30,000 feet with a plane full of terrified passengers means a struggle to understand the incomprehensible.
On the ground, Ray’s daughter CHLOE STEELE struggles to find her young brother and mother, both of whom may have disappeared in the Biblical event. Forcing herself through the chaos, Chloe must navigate a world filled with terror and despair.
After 25 years of a good marriage, what will Darcy do once she discovers her husband’s sinister secret?
A chance encounter of the unassuming bank receptionist Harleen Sahni with the charming yet mysterious Rajveer Nanda, results in an on-rush of ditched planes, car chases, shoot-outs, bombing raids and general global mayhem. But as the transcontinental chase ensues with Rajveer convincing Harleen that he’s the good guy, can she really trust him, and will trust matter when the bullets start flying?
Bitter Honey is a feature-length documentary presenting an intimate and emotionally charged portrait of three polygamous families in Bali, Indonesia. Following these families over a seven year period, the film portrays the plight of Balinese co-wives, for whom marriage is frequently characterized by psychological manipulation, infidelity, domestic violence, and economic hardship.
Living in a society where men have authority in many domains, these women have little voice in steering or protesting the conditions of their domestic lives. Bitter Honey draws attention to their struggle, documents the work of those taking steps to better protect and empower them, and aims to trigger a wider conversation about contemporary polygamy and women’s rights in Indonesia.
A man and a woman, secretly in love, alone in a room. They desire each other, want each other, and even bite each other. In the afterglow, they share a few sweet nothings. At least the man seemed to believe they were nothing. Now under investigation by the police and the courts, what is he accused of?
A documentary that uses a cache of letters, diaries and documents to reveal the life of SS-leader Heinrich Himmler.
A former race car driver turned driver’s training instructor (Jane) is abducted by a mysterious thief (Cusack) and forced to be the wheel-man for a crime that puts both in the sights of the cops and the mob and leads them all on a chase across Australia’s Gold Coast.
They were known simply as “The Lost Boys.”
Orphaned by the brutal Civil war in Sudan that began in 1983, these young victims traveled as many as a thousand miles on foot in search of safety. Fifteen years later, a humanitarian effort would bring 3600 lost boys and girls to America.
In “The Good Lie,” Philippe Falardeau, (writer and director of the Oscar®- nominated Foreign Language film “Monsieur Lazhar”) brings the story of their survival and triumph to life. Academy Award® winner Reese Witherspoon (“Walk the Line”) stars alongside Sudanese actors Arnold Oceng, Ger Duany, Emmanuel Jal, and newcomer Nyakuoth Weil, many of whom were also children of war.
Mamere and Theo are sons of the Chief in their village in Southern Sudan. When an attack by the Northern militia destroys their home and kills their parents, eldest son Theo is forced to assume the role of Chief and lead a group of young survivors, including his sister Abital, away from harm. But the hostile, treacherous terrain has other dangers in store for them.
As the tattered group makes the difficult trek to Kakuma refugee camp in Kenya, they meet other fleeing children, forging a bond with Jeremiah, who, at 13, is already a man of faith, and Paul, whose skills become essential to their survival.
Thirteen years later, the now young adults are given the opportunity to leave the camp and resettle in America. Upon arriving in Kansas, they are met by Carrie Davis (Witherspoon), an employment agency counselor who has been enlisted to help find them jobs—no easy task, when things like straws, light switches and telephones are brand new to them.
Although Carrie has successfully kept herself from any emotional entanglements, these refugees, who desperately require help navigating the 20th century and rebuilding their shattered lives, need just that. So Carrie embarks on her own unchartered territory, enlisting the help of her boss, Jack (Corey Stoll).
Together, against the backdrop of their shared losses, the Lost Boys and these unlikely strangers find humor in the clash of cultures, and heartbreak as well as hope in the challenges of life in America.
A colorful and diverse band of crayons strive to protect their magical, multi-hued homeland from an evil tyrant that threatens to rid their world of joy and color.
LAST HIJACK is a true tale of survival in Somalia told from the pirate’s perspective. Combining animation with documentary storytelling, the film takes an innovative hybrid approach to explore how one Somali pirate – Mohamed – came to live such a brutal and dangerous existence. Animated re-enactments exploring Mohamed’s memories, dreams and fears from his point of view are juxtaposed with raw footage from his everyday life in an original non-fiction narrative.
Somalia is the worldwide capital of piracy, and Mohamed is one of Somalia’s most experienced pirates. But in his homeland, a failed state, Mohamed is just another middle-aged man trying to make ends meet. Far removed from the glamour and adventure of the pirates of books and movies, Somali pirates face increasing scrutiny and stigmatization both at home and abroad. Now Mohamed is engaged and both his parents and his in-laws pressure him to change his ways before the big wedding day. Mohamed senses that the golden age of piracy may be coming to an end, and with pressure mounting to provide for his loved ones, he must decide whether to risk everything for one last hijack.
Simon Bolivar fought over 100 battles against the Spanish Empire in South America. He rode over 70,000 miles on horseback. His military campaigns covered twice the territory of Alexander the Great. His army never conquered — it liberated.
MEN, WOMEN & CHILDREN follows the story of a group of high school teenagers and their parents as they attempt to navigate the many ways the internet has changed their relationships, their communication, their self-image, and their love lives. The film attempts to stare down social issues such as video game culture, anorexia, infidelity, fame hunting, and the proliferation of illicit material on the internet. As each character and each relationship is tested, we are shown the variety of roads people choose – some tragic, some hopeful – as it becomes clear that no one is immune to this enormous social change that has come through our phones, our tablets, and our computers.
In 1993 Nigeria elected M.K.O. Abiola as president in a historic vote that promised to end years of military dictatorship. Shortly after the election, Abiola was imprisoned as another military regime seized power, and his wife, Kudirat, took over the leadership of the pro-democracy movement, organizing strikes and marches and winning international attention for the Nigerian struggle. Because of this work, she too became a target and was assassinated in 1996. Director Joanna Lipper elegantly dovetails past and present as she tells this story through the eyes of Hafsat Abiola, who was about to graduate from Harvard when her mother was murdered. Her father died in prison two years later under mysterious circumstances. Determined not to let her parents’ democratic ideals die with them, Hafsat returns to Nigeria after years in exile and is at the forefront of a progressive movement to empower women and dismantle the patriarchal structure of Nigerian society. “The Supreme Price” provides a unprecedented look inside of Africa’s most populous nation, exposing the tumultuous, violent history of a deeply entrenched corrupt culture of governance where a tiny circle of political elites monopolize billions of dollars worth of oil revenue while the masses remain impoverished.
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